End of NaNo

I have a confession to make, I am stressed.
I didn't realise just how stressed I'd gotten until just over a week ago, when I had some time off work and fell apart a little bit. There are a lot changes happening at my workplace, I don't want to go into details, but things are getting to me.

Not wanting to overload myself I decided to take NaNoWriMo fairly casually and just see what happened. In many ways November was not the best month to do this as there were a few preexisting plans, some of them involving travel or hosting family members, which ate into writing time.

I managed 21,456 words which is just over a third, not bad considering I didn't give it the necessary time and energy.

I'm not sure if I'll do NaNo again. I think if I do I'll have to decide earlier and do more planning.

I did NaNo to get myself writing again and I think that has helped, so that's been positive.

The Child

Episode: s2, ep1

This episode lacks tension and I didn’t really care about anything. Welcome to series 2 everyone!

What Happens

The Enterprise picks up a new doctor and goes to collect samples of a deadly plague that must be taken to a science base. Geordi has designed special containers to hold the samples. A sparkly light goes inside the ship and flies around until it finds Troi sleeping and slips under her covers. Picard finds the new Doctor in 10 Forward, she tells him that Troi is pregnant. In a staff meeting the senior crew discuss what Troi should do. The foetus is growing unnaturally rapidly, Troi gets overnight pregnancy-belly, but seems otherwise unhindered. Troi has the easiest birth ever (her makeup isn’t even smudged), and names her son-clone Ian Andrew, after her father.

Picard contacts the plague planet, the Inspector there wants to check the security arrangements and Picard wants to check the manifest. The tedious triple-checking takes ages. Picard visits Troi, her kid looks like a 4 year old. Picard seems unnerved, but if anything Ian seems normal and distinctly uncreepy. Meanwhile the plague samples take ages to sort out because even the safest could kill everyone on board. Eventually they’re transported into Geordi’s containers.

Next day Picard and Pulaski visit Troi and Ian (who now looks older still). It’s revealed that Picard has never played with puppies, which might explain a few things. Ian burns himself and cries, Pulaski thinks he did it on purpose. Picard wants to know why Ian is there, but it’s still too early for the kid to answer metaphysical questions. Troi thinks he knows but isn’t ready to tell them. Wesley and Guinan talk, he is tactless and she is helpful.

One of the plague specimens grows, which is really bad news. Data figures out that it's reacting to some kind of radiation, the cause is obviously Troi’s kid, but it takes the characters a while to realise. Ian knows he’s the problem, he tells Troi he must leave, Troi is upset. His body dissolves into sparkly light. The light flies into Troi’s hands then leaves. Troi now knows Ian was a curious life form who decided to understand them by living as one of them (no Jesus analogy explicitly is made).

The specimens are safely delivered, Troi isn't sad her kid is gone and Wesley asks the Captain to let him stay on the Enterprise.*

Oh Captain, My Captain

Picard displays a shocking lack of sensitivity. He gathers the senior staff, fails to introduce the new Doctor, and then bluntly tells everyone that Troi is pregnant, even though she’s clearly a bit embarrassed. He invites everyone to discuss what to do about the unknown life form breeding inside the Counsellor. It is clear that Picard has not asked Troi about this before calling the meeting. At no point does he ask for her opinion or offer her support in this strange situation, insensitive arse.

Riker: lover, adventurer, middle-management

Riker has a beard now. I’d gotten used to seeing Jonathan Frakes’s chin.

At the pregnancy staff meeting Riker is surprised by the news and asks Troi who the father is, not that it’s really his place to do so. After Troi explains that there’s no physical father (she was entered by a presence) Riker wants to know what’s gestating in there. He’s certain it was deliberate, but doesn’t agree with Worf that it’s a threat. He asks Pulaski if Troi would be harmed by an abortion. Riker, it is not your job to ask that! At no point does he ask for her opinion or offer her support in this strange situation, insensitive arse.
Later Riker lurks around at the birth, which seems weird to me.

Does Not Compute

Data takes Troi to sickbay when she goes into labour and offers to stand in as the father. Pulaski doesn’t think he should and dismisses him as just technology, but Troi asks him to stay. Data then fires questions at Troi until she points out that the birth is happening now.

Doctor Pulaski mispronounces Data’s name and is surprised that Data corrects her about it. She had been assuming he was just a robot-man, and wasn’t expecting bruised feelings, though she still doesn’t treat him as a person.

Wesley ‘for some reason’ Crusher

Wesley and Picard share a lift, Wesley stares at Picard awkwardly, so Picard explains to Wesley that his mother is away being head of Starfleet Medical. I’m sure Wesley already knows this, I smell infodumping. Or perhaps Picard just needed to break the weird silence. Wesley has mixed feeling about leaving the Enterprise. Personally I don’t understand why he didn’t leave with his mum.

Wesley hangs around 10 Forward and stares moodily out of the window so Guinan advises him to put his own feelings first. He tactlessly questions her about her past, “People say you're very old.” Luckily he is called away before he can say anything else incredibly rude.

Picard keeps calling Wesley Ensign, surely he’s still an acting-Ensign. Apparently there has been a collective decision to forget this. Meanwhile the actual Ensigns, who don’t get to fly the ship all the damn time, seethe and plot in the corridors.

Counsellor Pointless

I really feel for Troi in this episode. First she is mystically impregnated without her consent, and has to consult a Doctor she doesn't know. Then her boss drags her to a staff meeting about it, where her colleagues insensitively discuss her situation as though she isn’t there and doesn’t matter. From the way they act they might as well be discussing the engines. The fact that Troi is sat alone at the end of the table is isolating, and makes it clear that she and her baby are now just another problem to be solved. While the discussion rages about her Troi seems to hear the baby’s heartbeat (is this one of her powers?) and announces that she’s keeping it. No one contradicts her, which is the first good thing most of them have done this episode.

The pregnancy lasts about 2 days, and the birth is completely painless. The baby looks about 4 years old the next day and older the day after. Troi adjusts to this weird facsimile of motherhood, as does everyone else. The teacher says Ian has visibly grown in the time he’s been in puppy class** and treats it as though it’s normal. In fact Ian is happy and no trouble, he should be creepy, but he isn’t, he’s just dull.

When the two plotlines intersect, as it was long obvious they would do, Troi and Ian can sense the worry on the ship. Since Ian is a mystical alien child, and not just a supposed empath, he knows that he is the cause and leaves. Troi is distraught at losing her son-clone, but the shiny ball of light comforts her before it goes, so it’s all fine really.

Klingon Warrior

At the pregnancy staff meeting Worf immediately assumes Troi’s baby is a threat to the ship and suggests it is terminated and then analysed in lab.(Troi and Worf are going to date later, and I think we should remember this when that happens.) At no point does he ask for her opinion or offer her support in this strange situation, insensitive arse.

At the birth Worf bursts in with an all-male security team, because apparently all the female security personnel were busy. Worf, you are not making yourself look good here. At least they do what the Doctor says and stay out of the way.

Doctor Doctor

Doctor Pulaski seems fine, she’s capable and forthright and seemed to be sensibly advising Troi about her situation before Picard turned up and Captained at them. She doesn’t understand Data as a person, only a strange machine, which is kinda reasonable since she’s not met androids before. I don’t get any sense of warmth from her. I’m told she’s meant to be a female Bones, but I don’t really know Bones so I’m not that bothered about that. I think I'll miss Beverley, she was great.

Blind Engineering

Geordi is Chief Engineer now. No mention of what happened to the previous guy, but after the contretemps they had in Arsenal of Freedom I assume there was a bitter battle behind the scenes.

Geordi is responsible for the containment of the dangerous plague specimens. He has to work with a slightly belligerent Inspector. I appreciate that the samples are the main ‘peril’ in the episode (rather than the dull alien kid) but it's like watching people argue the semantics of Health and Safety. I cannot bring myself to care.

Guinan’s Hat - Purple

Guinan is not introduced, she’s just there, tending bar and giving advice. It’s her first episode and she convinces Wesley to stay, which is not an auspicious start in my view. Wesley quizzes her about being very old and knowing Picard before the Enterprise, which I'm assuming is foreshadowing.

I like Whoopi Goldberg (she’s God in the Muppet universe) and was somehow expecting more.

Staff Meetings: 3

1. Troi’s pregnancy is announced to senior staff, Pulaski briefs everyone and Picard invites discussion. The circumstances are troubling, but even so a massive amount of insensitivity is displayed.

2. Doctor Pulaski briefs Picard on the birth and how it was too easy. Is this really any of his business?

3. Wesley formally asks Picard if he can stay on the ship rather than being returned to his mother.

Won’t Somebody Think of the Children?

Riker suggests moving people to the saucer section when it looks like a deadly plague could be unleashed on board. Unfortunately there’s no sign that anyone follows up on his suggestion.

And They Never Spoke Of It Again

Troi has a mystery alien baby and yet experiences no pain (apart from getting briefly upset when he ‘dies’) and Pulaski says that you can’t even tell she was pregnant. So there’s no need to bring it up ever again.

In fairness I haven’t seen a lot of episodes, so I don’t know precisely what they never speak of again, but I have noticed a tendency to wrap events up tight so that there’s no need for issues to resurface in other episodes.

The End

After Wesley asks Picard if he can stay the Bridge crew jokingly discuss who will care for him. Data will see to his education. Worf offers to tuck him in at night (clearly a joke). Riker is asked to take care of everything else to do with growing up. It’s all very jovial and establishes that even though Dr Cusher has gone Wesley will be staying.*

* Can I change shows now and see what Dr Crusher is doing instead, please?

** There is an actual class where children play with puppies. I have no idea why. It's cute but pointless.

 

Nano - Progress Report

It's nearly two weeks into November and so far I'm behind on word count.

I have been bad and entirely missed some days. Some of this was due to family visiting, some of it was me being a bit useless. On all but one of the days that I wrote I was above target, and some of those even made up for a couple of the missed days.
I'm told word count is meant to be the name of the game, but it's not entirely about that for me. It's about reminding myself that actually I do have time to write, and I do have the ability to write plenty. It's about getting out of a stupid slump that I don't have any proper explanation for.

Storywise things are mixed.
The main Nano project is a story featuring characters I initially came up with about 10 years ago, and who were there at a time in my life when I wasn't very happy with myself. Not that the original idea was angsty, it was something I used to escape angst and reality.
Maybe that's why I've come back to it now, I'm mostly fine with myself but not happy with my professional life, which takes up a large chunk of my time. In this version the characters are older (older than me) and their earlier adventures will be told as flashbacks. These bits are clear to me, I already wrote them once, and I'm seeing this as a chance to write only the good bits of the older story.
It's the current story, featuring the older versions of the characters that's giving me issues. I thought I knew what the plot was, but it turns out I only had the start of one (this is the second time I've done this recently and I'm concerned that I've somehow forgotten how plots are meant to work). The characters are strong in my mind, though I think they need to grow up a bit. The world is familiar and good enough for a first draft, somewhere I have loads of notes I made about it in my late-teens. However there are lots of conversations and not much doing, so I need to throw some problems at the situation and get people moving.
At least I've realised that's the problem, which is an important first step.

As for yesterday, well yesterday I my have cheated a bit by writing something else and counting the words. I have a short story with a deadline and I need to get that done, regardless of whether I'm doing Nano. As this is intended for the eyes of others in the not-too-distant future it actually needs to be good. I've been writing it more slowly, looking up relevant things online, making sure it fits together and makes sense. It's still a first draft, but it's one I feel fairly happy with. I only need to figure out one story element and then it'll be whole in my mind, if not yet on the page.

I've got some time off work coming up and I intend to use that to get back on track. Though even if I don't 'win' I still think it's good for me to have done this, to get back into a pattern of regularly putting words together for something besides this blog.

Recent Reading

The Alchemist of Souls 

by Anne Lyle

I like me a bit of historical fantasy and was pleased to discover that this one is well-written and very entertaining. Elizabethan London is a popular setting, and here it felt authentic but also original as the author has taken a few (obvious and intentional) liberties with history. This is not a secret history with the supernatural pulling the strings behind the scenes (not that I have any problem with such stories, as you can tell from my attitude to the work of Tim Powers). In this book the New World proved to be home not just to other races of human but to a non-human, intelligent species called Skraylings. In post-Reformation England there are mixed attitudes to the Skraylings, their magical wares and mysterious ways. There are those who think them demons or fairies, while others see them as powerful and useful allies. Thrown into the middle of all this is our Hero Mal Catlyn, an impoverished gentleman who is appointed bodyguard to the Skrayling Ambassador.

It's the characters that really make this book such a joy to read. They're all rounded and fun to read about, each with their own perspective and voice, but I don;t want to give too much away. The relationships between them -both good and bad- feel genuine. Much of the action is set around a theatre company preparing for a competition, and it is in this environment that the characters are freer to pursue their desires than they would be in other parts of late-Tudor society.

The plot is well paced, with danger thrown at Mal and his friends fairly regularly as mysteries crop up and secrets are gradually revealed. There isn't a particular character who acts as an investigator, different things happen to each character, given the audience a wider (but still intriguing) picture of what's really going on. Conspiracies abound and at times it's hard to see how it'll all come together, though it does. Though a few are recruited to spy for different people, none of the main characters are naturals at intelligence work, often they seem to be people who've somehow gotten themselves in over their heads.
The Skraylings are interesting and not quite like anything I've read before, so I wasn't sure what to expect. The reader discovers more about them throughout the book, but there are still many questions at the end.

Kraken 

by China Mieville

 I've owned this book for over year but only recently remembered this fact.
This is a British urban fantasy and as such it has a lot of the hallmarks of the subgenre. An ignorant, mundane person is pulled into the shadowy hidden world of the supernatural that exists under/around/between the normal reality of London. There's a dangerous landscape of weird magic, warring gangs and factions, a knowledgeable guide/companion character and truly horrible killers. Having said that, these comparisons have only come to me now that I've stopped reading, at the time I was engrossed enough in the book that it didn't even occur to me to play Magic London Bingo (though one could get a pretty decent score).

There's an apocalyptic feel to this book, as different groups try to stave off or cause the/an apocalypse. The book is full of the feeling and discussion of end-times and the characters struggle against this even as it's clear that they (and the reader) don't really understand why or how the inevitability of the end of the world has come about. This is a book full of twists as the characters think they've discovered what it's all about, only to find that actually it's about something else entirely. This happens several times, some make more sense than others. Similarly character motivations seem to keep changing as veils of deceit are removed. Lines of enquiry are followed by officials, individuals and gangs, each has it's own logic (in a world governed by the power of metaphor) and the plot has been carefully put together to produce something very intricate. By the time you get to the last reveal the book has almost finished and you're surprised there's room for another one.

I enjoyed reading this book. I liked a lot of the ideas, which are very weird as one would expect from the author. The juxtaposition between the weird and the mundane really enhances the oddness of the supernatural world, though I'm sure it could have been odder. To me it felt weirder than the alien world of Embassytown, but didn't seem as strange as Perdido Street Station, though the latter contained a lot more focus on non-human characters. There were some great ideas and bizarre visuals mentioned and touched upon, at times in an offhanded way. The world was explored to an extent, but too much exploration would have become tangential, though it's clear that the author had a lot of interesting ideas.

NaNoWriMo

I will be doing the NaNoWriMo challenge this year, for the first time. 
I've known about it for years and have friends who do it, but I've never actually attempted it before. 

There are various things in my life that feel out of my control at the moment (many of them to do with work and my future plans in that area) and I think this feeling has leaked into other parts of my life, leading to doubt and a stupid malaise. I've decided that I need to remind myself what I'm capable of, I need to give myself a kick and I'm hoping this will be it.
I'm a bit excited at the moment, though I'm not sure how long that will last come November.

My husband is being wonderfully supportive by doing his own November challenge alongside me.

I don't plan to disappear entirely next month, but I won't be posting as much of the usual stuff. I'll try to keep track of my progress here, but don't intend to go on about Nano and nothing else.

I hope you will wish me luck, or at least not damn me to failure (you're nice folks, I'm sure you wouldn't).

Recent Reading - and a bit of myth

The Assassin's Curse 

Cassandra Rose Clarke

 The Assassin's Curse in the first batch of books published by YA imprint Strange Chemistry, which is part of the Angry Robot imprint. Told in first person POV (as seems traditional in YA) it's about Ananna, daughter of a pirate captain, who escapes an arranged marriage and is chased by assassins for it. Due to a magical accident she ends up bound to an assassin, who must protect her from harm. They reluctantly travel together to find a way to break the curse.
The fantasy world is well drawn and not overly explained. Ananna is a great heroine, confident, brave, quick-witted and rather stubborn, she was born and raised in a world of thieves but has her own ideas of right and wrong. Seeing the world through her viewpoint means it's easy to be on her side, but it is also clear that her actions are foolish at times. The assassin is also a good character, proud, deadly and impatient he also has vulnerabilities, though these remain mostly mysterious. The interactions between the pair are beautifully done. The various characters they meet felt genuine and the situation is complex enough to absorb attention.
The story was a good one, the pace was brisk and events unfolded smoothly. I wanted to see more of the world and learn more about the characters and their adventures. My only complaint is that it ended too soon; in fact it's clear that the story has been cut in two. Weighing in at under 300 pages The Assassin's Curse is a shortish book, although that's not usual for YA. What confused me a bit is that the blurb on the back is clearly a description of the entire story, not just the half I have access to. At least one of the incidents mentioned on the back cover doesn't take place in this book, which is unusual I think. I read quickly but as I got closer to the end I realised that what approached wasn't an actual ending, just a pause in the story. I will definitely buy the next book, but just after I finished reading this one I felt as though I'd been promised more story than I actually got.

The Assassin's Curse is one of the books I bought at FantasyCon, in fact I bought it directly from the publisher, who was working the stall at the time. I only bought 5 books at FantasyCon, the other 15 or so me and my husband bought back from Brighton were all free, which is a sign of a good convention. This is how we discovered that our suitcase is not built to transport nearly 20 books, and how one of its wheels ended up disappearing somewhere on the hill between the seafront and Brighton train station.

The Song of Achilles

Madeline Miller

I don't tend to read books that have won mainstream prizes, often because there's not enough fantasy in them. However my husband bought this book for me because I love Ancient Greek mythology and it turns out this was an excellent choice on his part and contained more fantasy than I expected. It was an excellent and emotionally powerful read.
The novel is a retelling of the story of Greek hero Achilles, told from the point of view of Achilles' companion and lover Patroclus. According to legend Achilles was the son of human king Peleus and the sea goddess Thetis -whose son was destined to be greater than his father. This prophecy was the reason the Olympian gods (already plagued by inter-generational strife) married Thetis off to a mortal. In the book Achilles is destined to become the Best of Greeks and he will prove himself at Troy, the war that unites the squabbling Greek city-states. However the battlefields of Troy are also destined to be the site of his' demise. All the supernatural aspects of the story are kept (no wonder I liked it) with Thetis being a terrifying and unworldly presence in the book. Here we see powerful, alien, manipulative gods, not the melodramatic -if fun- squabbling family the Olympian gods are often shown as (and in fact were sometimes portrayed as such by the Ancient Greeks themselves).



The next bit of the review actually gets a bit long, since it's so tied up with a subject I love.

Doctor Who - The Angels Take Manhatten

We come to the last of the pre-Christmas Doctor Who episodes. As a Brit I'm used to short series, however I am not used to things having weird gaps of several weeks/months in the middle* and I can't say I approve of this trend in Doctor Who the last couple of years.
I don't like that I'm uncertain about what season of  certain US shows I'm watching because there are odd gaps in the middle that seem to be there so that viewers have time to find something else do to and stop watching, in order for TV executives to then cancel the show because not enough people are watching anymore.**

Anyway, on with the episode.
In Rory and Amy's swansong we see that the couple have allowed the Doctor to take them on a trip across the Atlantic, but as it seems to be modern that is more or less a very convenient holiday and not necessarily at odds with their desire to live ordinary lives. Except that they have visited New York with the Doctor, so stuff is going to get complicated.

River is back and so are the angels. It occurs to me that though they are truly terrifying to an ordinary individual, and they're still creepy as hell in the way they hunt, for a time traveller they aren't as much of a problem. Yes Rory gets zapped back decades, but there's no doubt that the Doctor and Amy will go back to rescue him. Also if you've been travelling with the Doctor you've probably had to face the idea that you might be stranded somewhere in space and/or time, 1930s New York is a better option than most.

The use of River's detective novel as a guide and possible spoiler is clever. Reading the 'present' is helpful, reading ahead locks you in to certain actions. Is forewarned forearmed, or is it a kind of predestination? Although I wonder how the book got published (Amy must have some real pull in the past) as it surely wouldn't make a lot of sense to most readers, and the afterword is just perplexing.

The angels are as creepy as ever, and their babies are deeply unnerving too. The idea of the angel farm is interesting, it makes a sort of sense as long as you don't think too much about it. The Statue of Liberty being an angel looked impressive but was clearly empty spectacle. It's got to be one of the most looked-at things in New York, and if it starts booming along the streets of a very busy city, people will look and it will be rendered motionless. It was a nice idea, and the inverse of the end of Ghostbusters 2, it just didn't make sense within the context.

The goodbye worked emotionally. Due to the time turbulence and something about a paradox and fixed points, etc. etc. it feels pretty final. Amy makes her choice, she will risk getting sent back in the hopes of being with Rory. The afterword was a nice touch, linking Amy's last appearance with Amelia's first one.
Of course there's no reason that Rory and Amy have to stay in New York, and even if they do they'll eventually pass out of the bad time, so the Doctor theoretically could meet up with them again. This means that the ending is as much the Doctor's choice as Amy's, he knows he must move on and let them get on with the rest of their lives.


* Unless there is sport on, but that just gives me another reason to dislike sport.
** This version of how TV works in the US may well be wrong and is deduced largely from my own irritated observations.

Films I Haven't Seen

I haven't seen a lot of films.
Sometimes you almost don't need to see the film. If it's popular enough then clips and quotes and pop cultural references can do the work for you. 


Saturday Night Fever
John Travolta is a groovy guy walking confidently down the street to Staying Alive by the Bee Gees. Later he goes to a disco (with an obligatory disco ball) in a sharp white suit. There's a lady in a red dress. It is presumably a Saturday night.

As far as I can tell from popular media this is what America looked like in the 1970s, except that there were also cars, afros and drug dealers.


Jerry Maguire
Tom Cruise plays the title character, who wears a suit. He shouts down the phone and asks someone to show him the money, he is very excited about this. Renee Zellweger and Cuba Gooding Jr are also there.

I have yet to ascertain whether anyone does in fact show him any money.


Citizen Kane
There is a citizen, his name is Kane, and there is something about newspapers. He holds a big conference with speeches and banners, it's probably political. A man with a moustache whispers "rosebud" and a snow globe is dropped, it turns out this is the answer.

I don't know what the question is, but I sense it is not about gardening.


Deliverance
Banjo music: di-di dee dee dee dee dee dee deeee, di-di dee dee dee dee dee dee deeee.
Something unpleasant happens out in the back country. (That's almost certainly a euphemism.)

I don't actually have any images associated with this film, as far as I know.


Spartacus
The Romans want the massed slaves to identify Spartacus. In a touching show of solidarity they all stand up and say "I'm Spartacus!"
Brain Blessed is not actually there, despite what youtube would have me believe.

My (considerable) knowledge of Romans suggests that many of those slaves were killed.
My knowledge of film suggests that's not the narrative they went with.


Breakfast at Tiffanys
Audrey Hepburn likes Tiffanys, which is a big shop. She has a long black dress, a long black cigarette holder, a sparkly tiara and a large string of pearls. She has breakfast, presumably at Tiffanys. A man is no doubt involved somehow.

Decades later the band Deep Blue Something would record a song examining how kinda liking this film is not really a basis for continuing a relationship gone sour.

Doctor Who - Power of Three

I'm still behind with the Doctor Who posts, but I was at FantasyCon for 4 days so couldn't really post then. Besides it's been less than 2 weeks (in the UK anyway) so it's not a distant memory.
Plus it almost doesn't matter now as there'll be no more episodes until Christmas. I do not appreciate all these breaks. *pouts*

It turns out the title, Power of Three, was a big pun, which didn't get pointed out until the end, at which point I felt silly for not seeing it sooner. Various people seem a bit irked by this, but lord knows I'm no good at titles so if there's a pun that also works as the episode title you might as well go with that.

We know that Rory and Amy are in their final episodes and that something will soon happen that means they won't be traveling with the Doctor anymore. Power of Three looks at the normal lives of the Williamses the other stuff that happens when the Doctor isn't there. It's hard to physically see how long they've been travelling with the Doctor as the actors don't age that quickly, also judging time is a bit screwy if you're travelling through in.* I was a bit surprised to hear Amy say it had been 10 years, though hopefully that means the silly divorce stuff of a few weeks ago is long forgotten.

I liked the idea of the Doctor showing up in normal life and finding it dull. Usually when he does that the threat is active, but the cubes with their implacable dullness are a real test for the Doctor's patience. I can agree with the timescale of the episode, though I can understand why people say it felt rushed and could've been a 2-parter. Saying that I imagine a 2-part episode would've had a lot more filler.

The cubes themselves were a great idea, they're conveniently sized and very simple and since they're ubiquitous people will soon start ignoring them. The shots of all the places the cubes were used or ignored were great.Unfortunately things started to go downhill when the cubes' purpose was revealed. The information gathering made a lot of sense, doing your research is one of my top tips for invading an alien planet. I don't know who those aliens were or what they were doing or why. I don't get how the cubes were tied to people, or why they all did different things when they awoke. The creepy little girl and cube-faced twins were eerie and provided foreshadowing, but I'm honestly not sure what they were for. It seemed as though the aliens had done all that stuff and spent all that time just to give a third of the population heart attacks. Heart attacks that, as it improbably turned out, were actually reversible.


Now here is where the first aider in me gets twitchy.
I'll kind of accept that the Doctor magically manages to save the people with the very alien tech that was killing them, by somehow reversing heart failure. I'll even allow for the fact that the Doctor managed to resurrect people, even though by that time they would certainly be clinically dead** and perhaps brain dead, after all the cubes are tied to people somehow and mumblemumblemagicmumble.
What got to me was that no one seemed to be helping the people who fell down with heart failure. Two thirds of people were fine, and while they wouldn't all know first aid surely quite a few would have tried to help. In fact the UNIT woman said something about hospitals and paramedics not being enough, that the best hope for humanity was each other. After that I assumed there would be scenes of people trying to help others, of CPR and care, or at least attempts to comfort, there was nothing. It seems that was a meaningless throwaway line, which annoyed me.
Also Rory is a nurse, he knows how this works. It sounded as though he would have been more useful out there organising his colleagues to go and administer aid, or show others what to do.

As it turns out the real hero of this episode may have been Vinnie Jones, who wasn't even in it.

I feel compelled to add that you should pay attention to the bit where Vinnie tilts the guy's head back to check his breathing. Always tilt someone's head back first.


* Or in it? I don't know the proper wording for temporal stuff.
** You can recover from clinical death, as long as you're properly treated, but you have minutes before brain damage starts.

Recent Reading

Fear not, I am still reading.
I know September was entirely blog posts about television, I didn't quite mean for that to happen. Doctor Who was on and I wanted to get series one of The Next Gen finished and really that's more blog posts than I've ever written in a single month so the books got squeezed out. Now I'm planning on getting back into my normal mixture of posts, and to start here's a quick rundown of some books I haven't mentioned yet.

Some Kind of Fairy Tale by Graham Joyce

This book is an excellent examination of what happens when someone returns from a long, unexplained absence. Tara returns to her parents and brother after a 20 year absence, though she insists that from her point of view only 6 months have passed. Her insistence that she was taken by an otherworldly man is met with scepticism and annoyance from her family, especially her brother (now married and a father of 4) who sends her to a psychiatrist. The story is told from the point of view of various characters, and explores not just what Tara claims happened to her, but also the current lives of her loved ones and how her return has changed them. It is a well-written book full of emotional depth and clarity, which subtly explores the ideas around supernatural abduction. This is a fantasy book that I would very happily recommend to non-genre readers as it taps into a familiar fairytale tradition and it's depiction of daily life is perhaps better realised than it's fantasy elements (which I'm sure is intentional).

Little Brother by Cory Doctorow

Told from the viewpoint of Marcus, a tech-savvy 17 year-old in San Francisco, this book is an exploration of computer security and official surveillance. Due to being in the wrong place at the wrong time Marcus and 3 of his friends are detained by Homeland Security after a terrorist attack. After his eventual release Marcus is incensed at his treatment, but knows he is being watched and feels he can't tell even his parents what happened. He starts up a secret network that counters the heavy-handed surveillance measures being set up around the city, and soon it spreads beyond his influence. The story is exciting and Marcus feels like a very authentic character, although the amount of local references adds to both characterisation and sense of place, a lot of them went over my head. The pace is rather slowed down by the regular digressions to explain how surveillance systems can be beaten, or how cryptography and networks function. Though these things are relevant to the story and often interesting as you're reading, I must confess that I don't remember many of them now. Then again I am over 21 so my brain is not as good at capturing info as that of the target audience (also the book itself pretty much says, being -just- over 25 means I'm basically a lost cause). While I can sympathise with the message that the author is conveying, there is no doubt this is a message book and one which is telling a whole load of information. I have recommended this book to teenagers, and I hope they get something out of it.

The World House by Guy Adams

It's an intriguing idea, a house in which nothing is as it seems and everything is dangerous and out to get you. People from places and times across the 20th and early 21st Centuries interact with the box and get dragged into a place they do not understand and must learn to survive or else die. The workings of the box and the house are explored in the early chapters, after which the established cast of characters make their way through the strangest house in existence. The characters feel rounded, though many aren't initially likeable, but it's easy to sympathise with them and the house certainly tests their mettle. It's clear that there's something else going on here, some agenda or pattern of events, though like the characters the reader is initially clueless. Not quite knowing what to expect I was a bit shocked by certain things in the book, but I can be easily shockable. After the main reveal it's clear that the author is being really rather clever and seeing events take their course is fascinating.